I was once promised a stage
large enough to hold thousands,
and then denied it
because a geriatric piece of shit,
living on borrowed breaths
and overdue time,
who had lost a spouse
not to death
but to decay,
because they weren't merely old
but ancient,
decided obedience
was the price of admission;
submission,
the unwritten syllabus.
And no one had the tongue
or the teeth
to tell them:
poetry isn't the bastard child
of the colonial blood
they've spent a lifetime
mistaking for sophistication.
If buttering vanity
were the road to literature,
ghee podi masala dosa
would be the greatest poet alive.
They could say,
this isn't a poem,
but a rancid insult at best.
And I agree.
It is.
But then,
who gives a fuck,
unless they have a comeback?
I could burn them with words
and call the ashes poetry,
but poetry would strangle herself
before letting them inside her —
dead or alive.
Life forgot them decades ago,
and literature never bothered to remember.
I have heard the doctors have diagnosed them with severe constipation
and I find myself wondering how;
considering all that butter, one would think their exit would be well-oiled!
You see I could go do this all day;
in fact I could have stopped three stanzas ago,
and that would have been enough to bury them six feet under,
right in the heart of irrelevance,
and yet I kept going,
because, boy oh boy, this is fun!
But then again,
I have more pieces of shit to flush,
and they don't have many breaths for debt.
And as I stand here,
watching them vanish into decomposition,
I leave this elegy:
the only poetry they will ever be inside of,
dead or alive.