Thursday, 13 August 2026

Eight Deaths & A Life

At conception,

you were almost nothing.


A wet little argument

between two cells

about whether the universe

needed another mouth.


Nobody knew your name.

Nobody knew your face.


Nobody knew

you were going to hate coriander,

fall in love badly, lie about being fine,

and eventually become

the kind of person who says,

"I don't need anything."


You hadn't even arrived

and already you were disappointing the future.




Then they ended you.

Chemical dissipation.


You never saw daylight.

You never got to find out

whether you were beautiful or ugly

or merely unfortunate in the way most of us are.


No one missed you until they had imagined missing you.

That is the strange thing about unborn people:

you can grieve an entire lifetime that never happened.


Your mother did. For a brief while.




Then you died before you were born.


This time there had been a face.

A tiny face floating in a machine

that made everyone very quiet.


Someone had already said your name.

Someone had already bought something small.

Someone had already imagined your first day at school.

Someone had already wondered whether you would be tall.


Then your heart decided it had done enough.

The room went silent.


Your mother went home with an empty body

and a future that had nowhere to live.




Then you were born.


And you died eleven months later.

Eleven months.


Long enough to learn your mother's smell.

Long enough for your father to discover 

that a human being can weigh almost nothing

and still break a man in half.

Long enough for everyone to fall in love with a face

that never got the chance to wrinkle.




At seven, you died.


Now there were teeth marks on pencils.

A favourite colour.

A monster under the bed 

that was apparently more believable

than the monster called adulthood.


There were drawings. Hundreds of them.

You had drawn the sun too large.

Your mother kept them.

Of course she did.

She couldn't throw away the sun.




At sixteen, you died.


Now you had secrets.

You had discovered that adults 

were mostly children with better lies.


You had kissed someone

and spent three weeks pretending it hadn't mattered.

You had one song 

you would never admit made you cry.

You had started becoming someone.


That is when death gets especially vulgar.

Because now there is a person to kill.


Your friends grew older. You didn't.

They learned new jokes. New bodies.

New ways to ruin themselves.


Every few years someone would say,

"He would've been thirty by now."

As though thirty were a place you had failed to reach.




At thirty-four, you died.


You had become the man 

your sixteen-year-old self

would have crossed the street to avoid.


You had a job.

A bad back.

A password you had forgotten twice.


You had learned that love is not enough

but loneliness is somehow worse.


You had bought things for a future

that kept moving

like a cat you were trying to catch.


You had started saying,

"Maybe next year."


Next year 

is one of the most successful

serial killers in human history.


Then you died.


Someone found your unfinished coffee.

Nobody knows why that detail always survives.


Perhaps because a half-drunk cup

is the closest the living ever get to understanding 

how abruptly a person can disappear.




At fifty-eight, you died.


You had become the oldest person

in some of your memories.


Your father was gone.

Someone called you "Dad"

without you remembering

when it had started sounding like a middle name.


You had stories you told too often.

Secrets you told nobody.

A name you still couldn't say

without feeling something move behind your ribs.


You had spent decades becoming yourself.

Then you died.


Imagine spending fifty-eight years building a house

only to discover you were the tenant.




At eighty-nine, you died.


By now, everyone said you had lived.

They said it kindly.

They said it as though

you had finally completed something.


But perhaps, there was never such thing as a completed life.


Perhaps every life 

is just a collection

of doors you didn't open.


People. Cities. Bodies.

Versions of yourself you abandoned

because they became too expensive to maintain.


You were not the person you could have been.

You were merely the person who remained

after everyone else had died.




Because that is what nobody tells you.


You don't die once. 

You die constantly.

The child disappears. 

The teenager disappears. 

The lover disappears. 

The coward disappears.

The idiot who thought he would live forever disappears.


The person who swore he would never become his father disappears.

Then one day you become him. 

Then he disappears too.


And we call this growing up.

As though there were something noble

about being slowly murdered by time.




So perhaps the question isn't:

"When does life begin?"

Perhaps it is:

"Which death do we call birth?"


Because you were alive when you were conceived.


Alive when you were wanted. Alive when you were lost.

Alive for eleven months. Alive for seven years.

Alive for sixteen. Alive for thirty-four.

Alive for fifty-eight. Alive for eighty-nine.


And inside each of those lives 

was another one waiting to happen.

And another. And another.

Until finally there was nowhere left for you to become.


So you died.


And everyone cried for the person you had been.

Nobody cried for the people you never got to kill.

The Islands Beneath My Skin

I have known women

who left behind

climates I still live inside.


Some left behind the smell of food

from kitchens that disappeared

before I learned I was still hungry.

Some left behind sentences

that still arrive before my own thoughts, 

speak before I do.

Some left behind a silence so precise

I mistook it for peace.



There were women who taught me

that a person can be built from another person's belief.

A few words. A little faith.

A hand resting on a shoulder

at the exact moment the world felt too heavy.

And suddenly,

a boy begins to imagine himself

as something larger

than the name the world had given him.


There were women who taught me

that losing someone is not always absence.

Sometimes, someone remains everywhere.

In songs. In streets. 

In the way you pause before answering.

In habits you never noticed you inherited.


There were women who sat beside me

through ordinary days

and somehow convinced time to move differently.

The kind of miracles you fail to recognise

because miracles are supposed to arrive with thunder.


And there were women who taught me

the lesson I never wanted.

That a person can become a weapon

when another needs a story.

That truth can be stretched 

until it fits the hands holding it.

That sometimes,

someone does not reduce you because they hate you.

Sometimes,

they just need you smaller to make themselves larger.



The strange thing is,

I cannot separate the wounds from the gifts.


The same world that gave me my softest memories

also gave me my sharpest scars.

The same hands that taught me how to hold on

also taught me how easily humans let go.


So I do not write them as angels.

Angels do not disappoint.

I do not write them as demons.

Demons do not leave behind

pieces of themselves

you spend years mistaking for your own.


I write them as I have known them.


Incomplete.

Beautiful in places.

Terrifying in others.

Tender when they still knew how.


Capable of building worlds. 

Capable of burning them.



And perhaps that is the only honest story I can tell.


Not who they were. Not what they did.

But what they left behind after passing through me.

Wednesday, 12 August 2026

404 (Unabridged)

Every now and then,

my phone reminds me:


deleted items leave residue.


And I keep wondering

about all the things we delete:


the photographs,

the messages,

the names we stop searching for,


what they leave behind,


if anything.


Or whether deletion

is just another word

for moving something

somewhere we can no longer see.


Because the strange thing

about erasing something

is that the space it occupied

doesn't disappear with it.


It stays there,

quietly remembering

what used to be.


And I wonder

about all the things

we've deleted from our lives:


did they ever really leave,


or did we simply become

too good at pretending

we couldn't find them?



What technology couldn't, how could biology ever?

404

Every now and then

my phone reminds me:


deleted items leave residue.


And I keep wondering

about all the things we delete;


what do they leave behind,

if anything,


or do they ever really leave?



What technology couldn't, how could biology ever?

Name. Place. Animal. Thing. (Abridged)

Drawers are strange places.


Things go there when they are not ready to disappear.

Not because they are valuable, but because 

throwing something away requires admitting

you were wrong about why you kept it.


I keep broken things.


A watch that still ticks.

A sketch that still stares.

A paper falcon folded wrong but refusing to forget flight.


Perhaps that is why I keep them.


Because we call unfinished things failures and unfinished people potential.


The drawer is not where broken things wait to be fixed.

It is where abandoned versions of ourselves wait quietly,

hoping someone remembers they existed.


And every night, I open it,

hoping to find something I lost.


Only to discover

the only thing I ever abandoned was myself.

Terms Of Service

As she takes me in,

she looks me in the eye,

asks if it feels good,

tells me she loves me.


I look instead

at the pillow gathered beneath her nape.


I know she doesn't mean

to know any of it.


So I say nothing

and keep going.


She lets out measured, practised moans,

twitches her body by design,

and I arrive in silence;

evidence lodged in her depths.


She holds me tight for a minute.

Long enough to make the lie believable.


She needs to convince me of her fiction.

That's the thing about selling fiction:

the price of it lies in the conviction.


She gets up,

washes herself,

makes sure every last shred of evidence

is flushed down the commode.


Then she returns to bed

and tells me how good she feels

when I leave parts of myself inside her.


I pretend to believe her.

Because she needs me to.


She needs the tale to be true,

even if only for a moment,

before she collects her dividends in cash.


We go at it again.


And as the soft, rehearsed moans

begin their second performance,

I wonder,

does she know

it doesn't matter to me?

Any of it.

The moans. The love. The fiction.


Does she understand

that when you pay to eat at a restaurant,

you don't burden yourself

with unnecessary questions, like


whether the chef enjoyed making your meal,

whether they savoured every ingredient,

whether the pleasure on their face was genuine,

or whether they were simply bartering what they had

for enough money to take home some lunch?


You paid. They served.


And sometimes,

that's all there is,

no matter what needs to be believed.

Sunday, 9 August 2026

Compost For The Cultured

I was once promised a stage

large enough to hold thousands,


and then denied it


because a geriatric piece of shit,

living on borrowed breaths

and overdue time,

who had lost a spouse

not to death

but to decay,

because they weren't merely old

but ancient,


decided obedience

was the price of admission;


submission,

the unwritten syllabus.


And no one had the tongue

or the teeth

to tell them:


poetry isn't the bastard child

of the colonial blood

they've spent a lifetime

mistaking for sophistication.



If buttering vanity

were the road to literature,


ghee podi masala dosa

would be the greatest poet alive.



They could say, 

this isn't a poem, 

but a rancid insult at best.


And I agree.

It is. 


But then, 

who gives a fuck, 

unless they have a comeback?



I could burn them with words

and call the ashes poetry,


but poetry would strangle herself

before letting them inside her —


dead or alive.



Life forgot them decades ago, 

and literature never bothered to remember. 


I have heard the doctors have diagnosed them with severe constipation

and I find myself wondering how;

considering all that butter, one would think their exit would be well-oiled!


You see I could go do this all day;

in fact I could have stopped three stanzas ago, 

and that would have been enough to bury them six feet under, 

right in the heart of irrelevance, 

and yet I kept going, 

because, boy oh boy, this is fun! 


But then again, 

I have more pieces of shit to flush, 

and they don't have many breaths for debt.



And as I stand here, 

watching them vanish into decomposition,


I leave this elegy:


the only poetry they will ever be inside of,

dead or alive.