I've been writing —
putting words together,
stitching them whimsically
into rather disjointed strings,
piling them atop one another
and pretending it’s art
and revolution in the same sentence —
since I was a freshly realized teenager.
A decade and another ten years later,
I’ve hopped from one form to another,
genres to the lack thereof,
with words as both palette and pellets.
From hopeful, heartbroken rodeos
to full-fledged misanthropic arson,
I’ve travelled words at length and in breadth —
across tongues, grammars, and skins.
Hundreds and hundreds of unnecessary poems
I’ve often contemplated undoing.
Millions of dead, decayed, and dwindling revolutions
bled off pens onto pages
and into paperbacks few have read,
fewer still remembered,
and nearly none have lived —
save for a handful of rebellious idiots
who thought words could cure malign
and carve a benign world —
but forgot that people’s worlds
begin and end with people.
And people don’t change — only revise.
And revolution is uncouth
to a species obsessed with cosmetic quick-fixes.
Nothing has changed.
Nothing will.
You and I will waste
a few thousand more words
out of the millions of trees
already fallen to our need to be enough.
Some will fall to the fallacy —
yours and mine —
of a world built and rebuilt in words.
Words spoken,
words penned —
lost and found
and lost again,
in translation.
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