It starts soft.
Of course it does.
Like all disasters —
with a beautiful morning
and someone who calls you
interesting.
You say things like
“I’ve never felt this before,”
and they smile —
not because it’s true,
but because they’ve heard that line
enough times to know
they still got it.
Love begins in the stomach,
not the heart.
In the chemicals.
In the lies your brain tells
so your hunger feels holy.
You bond over trauma,
quote dead poets like scripture,
and call your damage depth.
You think
loving broken people
makes you whole.
You call it chemistry.
It’s just matching scars for tattoos.
They show you
their best angle,
best story,
best self —
curated, cropped,
washed in the filter of want.
You fall for
the version they invented
just for you.
And they fall
for how falling makes them feel.
You mistake attention
for affection.
Intensity
for intimacy.
Late-night confessions?
That’s not love.
That’s loneliness in duet.
You trade futures
like promises —
children’s names,
shared shelves,
a house with a window
that frames the sea.
It all feels inevitable.
But love built in the clouds
always forgets
that gravity exists.
Then comes the rot —
slow, quiet, polite at first.
They forget how you like your tea.
You start correcting their stories.
The music feels off.
The silences feel louder.
You read
so you don’t have to talk.
You schedule touch
like laundry.
You say “love you”
like brushing your teeth
or locking the gate.
You mistake routine for safety.
You think
this is just how it goes.
You call your slow suffocation
compromise.
You call losing yourself
maturity.
But some part of you knows —
the magic’s gone.
And you’re just holding hands
with a habit.
This is when
the screaming gets quieter.
When sighs
speak louder than slurs.
You resent them
for the parts of you
they never agreed to fix.
They still breathe
the way they used to —
and now,
that’s enough
to piss you off.
You fight
over the dishes.
But it’s never about the dishes.
You flirt
with strangers.
But it’s never about the strangers.
You hate
how much they know you —
how they can predict your excuses,
quote your old apologies,
read your moods
like menus.
So you start
rewriting history.
Suddenly,
the way they touched your back
was possessive.
The poems they wrote
were performances.
The comfort they gave
was control.
You go full lawyer
on your own memories —
filing evidence
to justify the exit
you haven’t taken yet.
It doesn’t explode.
It evaporates.
One unanswered glance at a time.
One untouched shoulder.
One postponed visit.
You leave
like a thief
stealing your own baggage back.
You blame timing,
growth,
the stars,
anything but the truth:
you outgrew the illusion
you both agreed to pretend.
You cry —
not for the person,
but for the dream
you can’t recycle.
You chase new bodies
just to forget your own.
You call it healing.
It’s just distraction
in daylight.
In the quiet,
you wonder:
Was any of it real?
The laughter?
The long walks?
The always?
Yes.
Real —
like dreams in comas.
Real —
like echoes in empty rooms.
Real —
but only while it lasted.
You tell your friends
you’ve changed.
You haven’t.
You’ve just
found better grammar
to lie to yourself with.
You swear next time
you’ll choose better.
You won’t.
You’ll just fall for
a similar sadness
in different shoes.
Because that’s the curse
of people like you —
the ones who love
like hurricanes,
and hate
like history books:
obsessed with what happened,
never learning why it did.
But I can’t give you
any of that.
Because I love you
like I hate you —
fiercely,
messily,
with enough passion
to burn cities,
but not enough patience
to plant gardens.
And if that doesn’t sound
like love to you —
maybe that’s because
you’re still hallucinating
your fairy tale.
The fairy tale
that convinced you
hate was the antonym of love
when they really were siblings
bad blood, but blood nevertheless
and if it had to choose,
love would pick hate over you
every day of the week.
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