Sunday, 27 July 2025

Theatrics Of A Well-Fed Ache

Is your life

so immaculately unscarred,

so coddled by comfort

you had to counterfeit wounds

just to be heard?


Did the absence of suffering

feel so loud,

you borrowed someone else's silence

and called it art?


Because if you can’t be pitied,

you can’t poetry —

is that it?


You mourn wars you never fought.

Write of hunger

like skipping breakfast

was starvation.

Invoke grief

like it’s a costume

you drape over metaphors

to look profound.


You wear pain

like perfume —

just enough to linger

but never stain.


You don’t write from the wound.

You etch your verse

on borrowed gravestones,

drafting poems on tragedies

you witnessed only in headlines.


You don’t want truth.

You want attention dressed as empathy.

You want applause

for pretending you bled.


You sing of storms

without knowing rain,

romanticize ruin

like it’s a backdrop

for your aesthetic despair.


You perform ache

like it’s theatre,

curate anguish

like museum exhibits —

unfelt, untouched,

just on display.


But some of us

don’t write pain.

We leak it.

Unedited.

Unshared.


Some of us

don’t rhyme trauma.

We survive it

in footnotes and hospital lights.


We don’t need pity

because we never had the luxury

to want it.


So the next time

you carve someone else's scar

into your verse,

ask yourself:


Is that your blood

on the parchment —

or did you steal a corpse

and call it a muse?


Because poetry isn’t pity.

It’s plague.

And you?

You’re just a eulogy

with an affordable internet connection.


Mic dropped. Page closed. Stay dead.

No comments:

Post a Comment