Imagine such void —
such an absolute blackhole
of an existence
that everything —
from your breath
to your words,
to your so-called art,
and everything in between —
begins in victimhood
and ends in suffering.
With dashes of moral superiority
sprinkled over chunks of spite —
spite aimed at an entire gender,
a gender that was once
rather functional in your being,
but now no longer serves
your trophy activism.
Where pain is currency.
Where empathy is a façade.
Where nuance is inconvenient
and complexity, a threat.
And so you flatten everything —
until trauma becomes identity,
until outrage becomes performance,
until anyone who doesn’t clap
becomes the enemy.
Because it’s easier, isn’t it?
To brand pain
than to heal from it.
To weaponize gender
than to confront your contradictions.
To speak in absolutes
so you never have to answer
the uncomfortable questions.
Because god forbid
you admit
that the war you’re selling
isn’t one you ever fought —
just one
you rehearsed well enough
to make people believe
you did.
Activism is a pretty excuse
for grown-ass adults
who refuse to act their age —
high on affordable validation
and cheap dopamine.
Victimhood, after all,
is the only narcotic
that never demands rehabilitation.
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